As I’m sure any subscribers will have noticed, an update to this PhD blog is well overdue. So if I haven’t been blogging, what have I been up to since my last post – ‘Spring Cleaning with DEVONthink’ – back in April?
Well, two things have kept me busy. Firstly the ‘Hidden Collections’ project, which entered an intensive proposal development phase in April-May. Our project proposal, the ‘Basic Design Summer School 2013’ has now been formally submitted to Tate and is awaiting further feedback from the Tate Research team. An update on the project, an outline of our Image Group proposal and my reflections on learning achieved so far provided the topic for my presentation to the recent ICCHS Postgraduate Research Conference (29 May):
Abstract: How can digital media be used to stimulate public engagement with archival material held by galleries, museums and other cultural institutions? This is the question posed by Hidden Collections, an AHRC funded collaborative research project running from October last year to July 2013. As a member of the Image Group, one of five interdisciplinary research teams involved in Hidden Collections, I worked with our project partner Tate to develop a social media strategy for a new temporary exhibition called ‘Basic Design’, which is on display at Tate Britain until 25 September. Developed by Tate Research the exhibition explores an influential period in British art school education during the late 1950s – early 60s. It draws on collections and archive material held by Tate and the National Art Education Archive. This presentation introduces our brief for the Basic Design project and outlines our project plan and activity to date. I conclude the presentation by reflecting on my own learning from the project, drawing out areas of investigation relevant to my PhD research into the Newcastle-Gateshead ‘public art collection’.
More recently, and to some extent influenced by my involvement in the ‘Basic Design’ Hidden Collections project, I’ve been working on a pilot project developed in association with Gateshead Council’s ‘Angel15’ programme. This is a series of events set up by the council’s public art team to celebrate the 15th ‘birthday’ of The Angel of the North (Antony Gormley, 1998) delivered as part of the region-wide Festival of the North East (June 2013).
While including a special on-site ‘birthday’ event at The Angel (which took place on 16 July), the programme also highlights lesser-known public works within Gateshead. Compared to the bigger and better funded 10th birthday celebrations this is a fairly low-key series of activities, including walks, curator and artist talks, live music and hands-on art workshops designed for a family and general interest audience. As such ‘Angel15’ goes beyond what Gateshead Council normally provides in terms of public art engagement and interpretation activity.
In terms of my PhD research the programme provides a useful opportunity for me to observe public art interpretation and audience engagement in action in Gateshead and offers a platform for me to experiment with social media – in this case Twitter – as a potential interpretative tool for a public art ‘collection’. To this end I have set up a new Twitter account @PublicArtNG (new Followers welcome!) which I am using to post daily tweets about public artworks in Newcastle Gateshead, linking these in with the interpretive themes and activities promoted by the council’s public art team. This project, linked through the hashtag ‘#Angel15’, is on-going through June-July. I’ll be posting a further update on this here early next month.